News Staff posted on February 17, 2011 21:27
The New York Times, The 41 Places To Go In 2011
From the beaches of Mexico to the wilds of Kurdistan, the places on this year's list take you to the end of the world and back.
13. Oahu
Hawaii's most developed island adds resorts and attractions.
The nature that abounds on Maui and rural Kauai often overshadows the attractions on Oahu, the most populous Hawaiian island. But this year Oahu offers travelers fresh incentive in the form of name-brand resorts and other tourist attractions.
Disney plans to open Aulani, a 359-room resort 17 miles west of the Honolulu airport, in August. The 21-acre compound, part of the manicured Koolina Resort & Marina, will emphasize Hawaiian culture over Disney animation by offering hula lessons, lei making and storytelling (Disney movies will be stocked in the kids club). In addition to standard pools and a lazy river, a conservation pool supports stingrays that kids can safely touch.
For grown-ups, in October the hotelier Ian Schrager unveiled the first in a boutique hotel chain that he is creating for Marriott: the 353-room Waikiki Edition. Though it's not on the beach - it's a five-minute walk to the ocean - the resort makes up for it with an outdoor movie theater, a restaurant by the Iron Chef Masaharu Morimoto, surf-and-bikini boot camp and yoga. It has four bars, including one hidden behind a revolving bookcase.
For grown-ups, in October the hotelier Ian Schrager unveiled the first in a boutique hotel chain that he is creating for Marriott: the 353-room Waikiki Edition. Though it's not on the beach - it's a five-minute walk to the ocean - the resort makes up for it with an outdoor movie theater, a restaurant by the Iron Chef Masaharu Morimoto, surf-and-bikini boot camp and yoga. It has four bars, including one hidden behind a revolving bookcase.
But there's more than sunsets and mai tais to Oahu. A $56 million visitors' center and museum at Pearl Harbor opened Dec. 7 featuring interactive exhibits about the World War II attack that trace the path to war from both American and Japanese perspectives.
— ELAINE GLUSAC